My latest Art & Kinship installment is on Marie Mutsuki Mockett’s second novel, The Tree Doctor, and her work more broadly. Also, death, ghosts, sex, and a cherry tree named Einstein. Here’s how it begins: I first encountered Marie Mutsuki Mockett’s work in her engaging, quietly profound, and beautifully and wryly observed Letter From a Japanese Crematorium, written soon after her grandmother’s funeral. . . .
My latest newsletter is on Boy Erased author Garrard Conley’s first novel, All the World Beside, a singular and magnificent work of art: tender, hopeful, shot through with dour fundamentalist judgment and a painful sense of separation, but also numinous and earthly connection. Also considered: the sins of the fathers, Puritan ancestors, epigenetics, queer kinship, and the musicality of his prose.
The first subject of my new Art & Kinship series is Emily Raboteau, whose work I’ve been reading with admiration for almost two decades. Her new book—Lessons for Survival: Mothering Against “The Apocalypse”—is out today. In my latest newsletter, some thoughts on her work broadly and this book in particular, along with photos of Emily and her ancestor wall, and her reflections on creating this memorial to them after the passing of her dad as she wrote.