Tea with Muriel Spark (and not Dostoyevsky)
Muriel Spark’s 1992 autobiography has been characterized as purse-lipped, sterile, and withholding, a manipulative account designed to settle scores and divert attention from anything unflattering. Curriculum Vitae may be more factual than confessional, but judged on its own terms rather than by the standards of the contemporary tell-all, the book is a charming, idiosyncratic, and closely observed personal history, one . . .