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Lincoln’s writing, though praised during his life for its clarity, “did not rate high by the prevailing standards of eloquence.”

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On advances, publicity, and small press publishing

A major book deal doesn’t guarantee a bestseller. But it does — as in the case of Vikram Chandra’s Sacred Games — ensure that critics will crack the spine. Once you’re over that hurdle, reviews, or at least hottness appraisals, are nearly guaranteed. And when the chatter spreads, people pick up the book. In the major houses, an author’s advance . . .

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Ursula LeGuin points to The Little Prince as an example of the “satiric or philosophic tale, or conte,” deliberately pitched both to children and adults. (Via.)

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On the verge of his first manic episode, Robert Lowell led a pre-McCarthy era crusade against a Yaddo director for, ahem, “colluding with” a Communist.

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Last week I sat with some fine people around the Algonquin’s round table, and imagined Mrs. Parker’s ghost wincing at my jokes. Lance Mannion checked for initials carved in the wood.

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