How relevant is a writer’s personality to critical discussions of his or her work? Not at all, Stephen Elliott argues.
David Leavitt’s The Indian Clerk inspired a week of posts at TEV this summer. Now it is admired (mostly) in the NYTBR
The mustache Brendan Kiley is growing to support 826 Seattle provides a good excuse for a Dutch vocabulary lesson.
The last sentence George Singleton wrote: “She could look at Prison Tat Pat and understand that living with a lottery card-scratching drunk wasn’t all that bad.”