James Wood on Coetzee’s Dostoyevskian confessions
I don’t measure fiction by the same aesthetic metrics as James Wood, but I read him, even when his judgments rankle. Any impassioned Wood critique is far superior to a hundred courteous hand-clappings. It’s especially interesting to see Wood building, in the latest New Yorker, on the grudgingly admiring essay about J.M. Coetzee’s Disgrace (“a very good novel, almost too . . .
