Junot Díaz doings
On the heels of news that Junot Díaz will have a new collection of stories out this fall, the Times reports that he wrote the introduction to the Library of America’s forthcoming reissue of the pulp novel Princess of Mars.
On the heels of news that Junot Díaz will have a new collection of stories out this fall, the Times reports that he wrote the introduction to the Library of America’s forthcoming reissue of the pulp novel Princess of Mars.
My latest New York Times Magazine columnlet draws on a passage from H.L. Mencken’s The American Language (1921) about the word “bug.” “An Englishman,” he says, restricts its use “very rigidly to the Cimex lectularius, or common bed-bug, and hence the word has highly impolite connotations. All other crawling things he calls insects. An American of my acquaintance once greatly . . .
Ellen Ullman’s By Blood is a dark, brooding, and marvelous novel that doesn’t really resemble anything else, though disparate elements of it remind me of so many stories I love. The book combines a disturbing confessional intensity, as in Coetzee’s Disgrace, Lasdun’s Horned Man, and Tartt’s The Secret History, with a paranoid claustrophobia akin to that of The Conversation, Coppola’s . . .
I’m interested in James Wood’s writings on religion, including his novel, The Book Against God, which I read recently. Here he is on Santorum’s attitudes toward the environment. (See also.)
“The most successful nonfiction books are those that can be boiled down into an argument so that everybody can wade in with an opinion without having to undergo the inconvenience of having to read the book itself.” — Geoff Dyer