Koolhaas’ Exodus and Thomson’s Divided Kingdom
Museum-going tends to happen when Max and I have visitors, and with A. in town the past week has been a whirlwind of white corridors, polished floors, and hushed galleries. At the MOMA, I was finally able to see Rem Koolhaas’ 1972 architectural thesis, Exodus, or The Voluntary Prisoners of Architecture, in full. In this project, the Dutch architect envisons . . .