Predictably, while I admire the technique, I prefer the hysteria–and drama–of Dostoevsky

Remainders

• "This old white motherfucker and his wife rolls up. He’s like, 'Young man, do you know where the Poe house is?'" The Wire and A.N. Devers on Edgar Allan Poe's Baltimore house.

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• The New York Society Library features an exhibition of Shirley Hazzard's (Transit of Venus) manuscripts, photographs, and more, through January 31.

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• Narrative's free app for the iPhone and iPad includes all back issues of the magazine (a couple of which include my writing). I also like to read Electric Lit this way.

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• "[T]o correct a bad sentence satisfactorily is not always possible; it should never have existed, that is all that can be said." -- Fowler

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• At FSG's Work In Progress, Jeffrey Eugenides talks with Jonathan Galassi about the genesis of the "more tightly dramatized, less fanciful" novel he's finishing up.

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• Emma Garman admires Jean-Christophe Valtat's 03, calling the novella "Nabokovian in its outrageously solipsistic stylishness." See also Valtat on the persistence of childhood.

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• Jonathan Franzen says "there isn’t a more hilarious narcissist in all of literature" than Sam Pollit of The Man Who Loved Children, which my friend Robb Forman Dew has been urging on me.

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• I'm back in New York, at least for now, but while I catch up you're better off checking my Twitter feed than waiting on the RSS.

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• ThermoPoetics contends that some ideas about nature — and thermodynamics in particular — manifested themselves in literature before being articulated scientifically. (Via.)

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• This month The Paris Review Daily celebrates one of the magazine's longtime contributors, Dr. Strangelove scribe Terry Southern.

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